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323 226-1112

600 Moulton Avenue #405

Los Angeles, California

90031 USA

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SCI-Arc

RoTo, Spring Studio 2013

 

RoTo, Spring Studio 2013

RoTo, Fall Studio 2013

RoTo, Spring Studio 2009

Quotes

Introduction

Visual Imagination is fundamental to the creative process

We are constantly absorbing information from a variety of sources, as we move through the world. As children our learning is mostly informal and innovative as we do things for the first time, with no prior experience to inform our actions. Through our prolonged period of ‘play’ from infancy to adolescence we curiously test the nature of relationships, materially and personally. Why does water flow off a table and salt form into a cone, a child may wonder? In an academic setting our experiences are more structured by a predetermined curriculum and the information we apprehend is well formed. It is assumed that this more structured way of knowing can be enlarged to encompass the broadest range of human experience and it’s inherent creative possibilities. It can be if we have the courage to search for our own voice. This seminar is not about how we know what we know but rather how to access what we know from direct experience and convert it into conceptual structures that serve our Visual Imagination and in turn our creative output as Architects. The big question I want us to continually ask from week to week is – “where do we see the image first, in our minds eye or in the computer?”

Spatial Memory, Spatial Intelligence and Visual Imagination are inter-dependent.

Creative conversions first occur in our ‘mind’s eye’, prior to their representation through media. The ‘minds eye’ is where virtual images are synthesized recombining and transforming selected parts of our spatial memory into new hybridized images of processes, events, places, and objects. The body in motion through physical space, is the basis for our spatial memory, recording and storing information about the environment and our place in it. Our body-mind complex records everything it apprehends and stores it for either short and long term use recollecting at the appropriate times to enhance and enrich new experiences, We are embedded in a world we inherit and immediately respond and adapt, but most significantly we begin to imagine how to re-construct this world. Improving one’s ability to see-know, visualize, and interpret the world in constructive ways is a great asset. Our focus will be to best understand these processes by thinking and making.

When we are infants beginning to crawl and then walk, we experience more than ever before and our brain grows as fast as possible to take it all in and process it. Simply stated, we need more RAM. With no prior experience we see everything for the first time. We are enchanted by what we see, a world filled with wonder. At this phase of life our curiosities are intrinsic and first nature. We must learn in order to survive - so we naturally explore with a growing brain and clever hands. We benefit from ‘not knowing’ - we see things as they are, not as we expect it them be. Imagine, as adults, the possibility of ‘looking twice’. Look once and you see what something is and how it operates, look twice and you see it in context and speculate on purpose and meaning.

Objectives
coherence, convergence, conversion, visualization
-to re-learn how to see once by looking twice
-to accelerate the process underway for each of you to discover your own unique vision and voice
-to enhance your capacity to convert experience into ideas, into imagination, into space-form
-to re-contextualize your ideas via scaling, analogy, metaphor
-to increase the size and scale of your ‘network of knowing’ and your ability to express with improvisational.
-to learn more about why it is said in science the Universe is a symmetry operation, a hybrid of extremes.
-to see the creative process in terms of systemic change and growth, not merely form
-to become more aware of the basis for making choices.
-to better understand the equivalence of unity, singularity, equilibrium, balance, mirroring, symmetry
-to see in the mind’s eye a nanosecond prior to your media displays.

p2

Overview

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Ways of Seeing
looking at the world with curiosity and wonder - bare attention and mindfulness

Ways of Knowing
The world that you see and interpret is the basis for what we know - awareness to insight

Ways of Making
The ultimate test of an idea is to construct it, to give it form


 

Themes

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Cosmology
single coherent framework of knowing - faith and reason

Creativity
an evolutionary imperative – communal - curiosity, courage

Optimism
biological necessity and the essence of creativity

Communal
shapes human societies and the basis of civilization

Cooperation
the basis for communal life and the foundation for society

Story
the foundation to teaching and learning - structure, purpose, meaning

Beginners mind
seeing as if for the first time, as it is, without expectation

Context
genetics, family, society, culture, city - respond, adapt, and construct our world within worlds

 


 

Concepts

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Time
scale, interval duration

Space
medium for bodies in motion and at rest

Light
outer light of nature gives meaning to the inner light of the mind

Scale
worlds within worlds

Transformation
transition from one medium or state to another

Symmetry
mirroring, conservation of energy, equilibrium

Play
intrinsically motivated activity and central to learning

Pattern
index of matter energy and form over time


 

Words

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Process
inter-activity (on becoming) things change

Order
inter-relationships (on meaning) things self organize

Unity
inter-dependence (on being) things come together


 

Phrases

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Economy of Means
conservation of energy

Theories of Economy
systems of exchange

Time Scales
evolutionary shifts

Scale Shifts
conceptual revolutions

Social Shifts
geo-politics, geo-economics, geo-technology

Conservation and Change
memory and action

Convergence and Hybridiztion
aggregation, intergration

Mobility and Dexterity
imagination, exploration, risk

Complexity and Coherence

 


 

p3

Questions

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time structures
“Is it possible to have a long term vision in a short cycle world?”

intuition
“Is it possible that at the moment of birth we hold the potential to be all knowing?”

wisdom
”Is it possible to experience the still point in between faith and reason?”

social
”Is it possible that cooperation is an evolutionary imperative?”

economy
”Is it possible that we are ‘hard wired’ for scarcity, not abundance?”

mirroring
“Is it possible that the entire Universe is a symmetry operation?”

 


 

Note

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the words and phrases above will be incorporated into our discussions throughout the semester. An ongoing assignment will be for you to define them precisely and in your own terms then to incorporate these words and phrases into the weekly writing assignments. Each week please write one page, no more, based on what you thought about after listening and participating in that weeks class. shoot 2 images and caption them. Hand them in at the beginning of each class

Formats
- lectures
- creative discourse (exploratory and critical dialogue, not debate)
- spontaneous model making
- sketching
- photography
- writing

Grades
class attendance
40% - it is expected that everyone be present. 3 absences is maximum

class participation
30% - it is expected that everyone be engaged in the discourse during class time

class assignments
30% - it is expected that all writing, modeling, imaging projects be completed on time.

 

p4

Subjects

World View
Some of the biggest problems of present society is the effect of overall change and acceleration of change. To cope with the radical shift from a seemingly simpler, recursive mechanical world view to a quantum world view of unpredictable change and greater complexity, we need to come to terms with our personal world view to give us perspective and purpose. We need a framework that ties everything together allowing us to understand the world, and our place in it. , it can give us a consistent and integral sense of being.

Cosmology
Cosmology is the study of the origins, grand evolution, and eventual fate of the universe. It has 2 lenses, religion (faith) and science (reason). The shift from the age of faith to the age of reason occurred approximately 500 years ago commencing the process of dis-integrating mind and body. Much was gained and much was lost – what? Will be one of the drivers of our discussions. Historically, the world as it was lived was seen as ‘imperfect’. Perfection and how to attain it was embedded in the sky and the creation stories. This perfection was projected on the sky (heavens, cosmos, universe) and reflected back down to the earth for us to interpret and use as a blueprint for reconstituting the imperfect world. Mirroring.

CLASSICAL ANTIQUITY — Greeks
This culture saw the heavens as embodying people and animals and their stories as mapped in the Positions and relations of the heavenly bodies. The stories about people were projected onto the heavens, where the constellations were used as sightlines inscribed on the surface of the earth. These projections then formed pathways for the human journey and geometric diagrams for social order manifest in urban and architectural forms.

RENAISSANCE to ENLIGHTENMENT
the newly discovered rational relations among the heavenly bodies are projected back to earth as the demand for rational relations among people and their institutions. It resulted in a duality: demanding rationality of the state (which results in totalitarianism) and rationality on the part of the individual (which implies personal responsibility and the ownership of the self, thus personal freedom).

MODERN times
middle of the 19th century until the present. The concept that is projected into the cosmos is that of the abstract materiality of space. Instead of being seen as a container or place where things happen, space becomes the substance of particles and forces. Everything that is—energy, space, time, forces, materiality, ourselves are seen as abstract conditions of space itself

Storytelling
It has existed as long as humanity has had language. Stories are a means of entertainment but more significantly they have been central to the preservation of culture. Story telling is a fundamental form of teaching. Traditionally, oral stories were passed from generation to generation, and survived solely by memory. In the oral tradition, storytelling is an improvisational art form with a hidden structure of connected events, ideas, and images that are transformed with each telling. Generally a storyteller does not memorize a set text. Instead he has a framework of facts or events that direct a narrative arc that guides the teller as he visualizes the characters and the settings while improvising the words.

Collective Intelligence
Collective learning gave us a history, making it possible for us to learn more, faster in proximity to others. Collective Learning shapes the Evolution of Human Societies. Over time, humans became a highly networked and inter-dependent creatures. In numbers we became a learning organism. Still true. Symbolic Language became a memory system – an external hard drive. Human societies marked a sudden and unexpected emergence of a new level of complexity

 

p5

Creativity
Analytical, Critical, Generative
It occurs in the interaction between a person’s thoughts and a socio-cultural context. Although we learn more, faster when proximity to others and the foundation for our creative work is shared The creative moment itself is an introspective and private moment. Beyond the creative moment is it’s realization which is a collective activity in varying degree. More on this later. Creativity is contingent on the cultivation of curiosity, bare attention, and confidence. We are most curious when we are children and less so as we drift toward expediency. Creative individuals are remarkable for their ability to adapt to any situation and to make do with whatever is at hand. They ‘play it as it lays’. Each of us is born with two sets of instructions: a conservative tendency made up of instincts for self-preservation, and an expansive tendency made up of instincts for exploring.

Exploration
Humans are innately restless
We explore and then map and then explore some more. No other mammal moves around like we do. In 50,000 years we have spread around the planet. Part of our motivation was to follow the sun and the food but we now know that our migratory urges to explore rises in us innately. Scientists now have evidence that its foundation lies within our Genome. We are wired for curiosity, restlessness, and exploratory risk taking. We have limbs that give us great mobility, hands with extraordinary dexterity and a big and clever slow growing brain that develops a imagination though a long childhood and an unmatched period of protected play that fosters the growth of our imaginative capacity. Other animals play but mainly to practice basic survival skills. Children play by creating hypothetical scenarios that defy gravity and consequence. We play less of this as we get older. In our wanderings, real and imaginary, what do we see and how do we convert these new discoveries into a more precise and focused conceptual imagination that forms the basis of the world we want to construct. Our conceptual imagination greatly magnifies the effect of our mobility and dexterity which in turn fuels our imagination.

This is another chicken and egg moment.

Order
D. Bohm, a theoretical physicist, said that reality means something existing independently of being known through conventional absorption and measurement. He sought to develop a theory of reality that would be inclusive and whole. Wholeness is a coherent view in which everything at all sizes and scales are inter-connected and inter-dependent. He conceived a hidden order at work beneath the seeming chaos and lack of continuity of worlds within worlds. This hidden dimension is Bohm’s ‘IMPLICATE ORDER,’ which has infinite depth and is the source of all the visible of the ‘EXPLICATE MATTER’ universe (4-D world of objects, space-time). Developing the capacity to ‘see’ and ‘know’ these realities are contingent on looking without pre-conditioning, pre-conception, or pre-determination. Bare attention, it’s often called - this is the foundation of discovery. It required observing things as they are without expectations.

Reciprocity
Individualism and altruism
Claude Levi – Strauss , a cultural anthropologist, told a story from his experiences traveling with his father. One day they sat for lunch, in a French country inn, directly across from a stranger. When they were served his father and the stranger both poured their small carafe of wine into the other’s glass; an equal exchange, nothing lost but much gained, symbolically. Levi-Strauss would eventually write that reciprocity was a fundamental centerpiece of society.

Evolution of Cooperation
Nature rewards cooperation
The Human Enterprise marks the continual emergence of new levels of complexity. The transition to greater complexity is linked to the creation of new forms of interdependence and larger patterns of cooperation and new collective structures. Our survival as a species is predicated on our capacity to cooperate.

 

p6

Play and Learning
Many animals play but mainly to practice basic survival skills. Children play to develop their imagination creating hypothetical scenarios to test and learn. During childhood we build the brain wiring to explore. We do less of this as we get older. Years ago on a walk through nature with my son, I stood and watched him explore with enthusiasm and surprise. He was delighted with each little discovery. As I watched, I realized that he was seeing things for the first time. Prior experience not being a factor allowed him to see without pre-determination or expectation. He saw things as they were and not as he expected them to be. That was my problem to overcome. The world is filled with wonder and if I take pause to focus on an aspect of it I may discover something new in something old.

Finite and Infinite Games
There are at least two kinds of games. One can be called finite , the other infinite. A finite game is played for the purpose of winning. An infinite game is for the purpose of continuing the play. The creative process is, at best, an infinite game.

Space and Spaciousness
The richness and range of the Human environmental experience is defined by low close and vast spaces we inhabit through our life, beginning with the finite space of a near weightless floating environment of our mothers womb to the vastness of the California Deserts where I now sit. Looking across a valley 25 miles wide and a 100 mile long I am surprised by the clarity and the distance. I am even more surprised that my thoughts are too small for this space. Perhaps the size of my thoughts are in proportion to the space in between buildings. Here, I begin to think about aspects of geologic time – existence, evolution, plate tectonics, and the nature of time scaled events, in particular the intertwining of humans and the natural world.

Networks
systems and information
This topic will be our gateway into visualizing the dynamic processes of systems and information. Everything, at all sizes and scales, in all dimensions, are simultaneously interconnected and interdependent. We think of networks as a product the computer age, the Internet is it’s common name. The fact is that digital networks are a phase in the ongoing evolution of a networked global brain, which has existed for more than 3 billion years. It is a product of evolution and biology. The global brain is a web between all species. In Costa Rica as tuna hunt for their prey, seabirds watch their movement waiting for the leftovers. Fishermen searching for the tuna watch the birds, leading them to their catch. This is a network.

Organisms
Edward O Wilson
The Insect Societies, 1971

“Why do we study these insects? Because, together with man, they are among the great achievements of organic evolution. Their social organization – is far less than man’s because of the absence of culture, but far greater in respect to cohesion, caste specialization, and individual altruism– is nonpareil. The biologist is invited to consider insect societies because they best exemplify the full sweep of ascending levels of organization, from molecule to society. Among the tens of thousands of species of wasps, ants, bees, and termites, we witness the employment of social design to solve ecological problems ordinarily dealt with by single organisms. The insect colony is often called a super-organism because it displays so many social phenomena that are analogous to the physiological properties of organs and tissues. Yet the holistic properties of the super-organism stem in a straightforward behavioral way from the relatively crude repertories of individual colony members, and they can be dissected and understood much more easily than the molecular basis for physiology.”

 

p7

Time - Fast–Slow
The Clock of The Long Now
Stewart Brand
In recent years scientists have been probing time intervals in ecological systems: How do they manage to change, and how do they absorb and incorporate shocks? The answer appears to lie in the relationship between components in a system that have different change rates and different scales of size. Various elements in a system work together in ways that increase overall resilience – fast and slow time intervals are coodinated. Instead of breaking under stress like something brittle these systems yield as if they were malleable. Some parts respond quickly to the shock, allowing slower parts to ignore the shock and maintain their steady duties of system continuity. The combination of fast and slow components makes the system resilient, along with the way the differently paced parts affect each other. Fast learns, slow remembers. Fast proposes, slow disposes. Fast is discontinuous, slow is continuous. Fast and small instructs slow and big by accrued innovation and occasional revolution. Slow and big controls small and fast by constraint and constancy. Fast gets all our attention, slow has all the power. All durable dynamic systems have this sort of structure; it is what makes them adaptable and robust.

Scale
Freeman Dyson
“The destiny of our species is shaped by the imperatives of survival on six distinct time scales. To survive means to compete successfully on all six time scales. But the unit of survival is different at each of the six time scales. On a time scale of decades, the unit is the family. On a time scale of centuries, the unit is the tribe or nation. On a time scale of millennia, the unit is the culture. On a time scale of tens of millennia, the unit is the species. On a time scale of eons, the unit is the whole web of life on our planet. Every human being is the product of adaptation to the demands of all six time scales. That is why conflicting loyalties are deep in our nature. In order to survive, we have needed to be loyal to ourselves, to our families, to our tribes, to our cultures, to our species, to our planet. If our psychological impulses are complicated, it is because they were shaped by complicated and conflicting demands.”

Hybrid of Extremes
Equilibrium and Integrity
Two things move into each other’s field of interference and something unique emerges, a third thing that is the progeny of the two. If written as an equation it would be one plus one equals one. This is the oldest equation of all. all living organisms are evidence of this. Now there are three, each similar and unique., a paradox. The progeny is the new hybrid and the parents are the old hybrids. Each generation becomes more and more complex and simple, another paradox. Simplicity on the other side of complexity – a distillation of all that has come before it became what it currently is, a unique variation on a continuously emerging theme – life, as an aggregation of varied parts incorporated into a greater whole. It’s most singular purpose is survival the metric being endurance. The ultimate living organism is an ecosystem of worlds within worlds, natural and artificial, physical and virtual. The creation process is a constant transformation of matter into energy and energy into movement, movement into energy and energy into matter. Ashes to ashes is a phrase we use to describe this process. This is a dynamic system in a constant state of equilibrium. The point of balance in this system is the Hybrid of Extremes.

to be continued.

Roto
Los Angeles
January 2013

 

 

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Visual Imagination
SCI-Arc spring 13
Tuesday 7:00 -10:00pm
Library

Roto

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Semester Schedule

Week01 — overview
introductions, syllabus - 0

 

Week02 — context
reciprocal action - 0

 

Week03 — cosmology
what's the big idea - 0

 

Week04 — process-order
things change according to the rules - 0

 

Week05 — order-unity
things come together - 0

 

Week06 — dynamic equilibrium
what goes around comes around - 0

 

Week07 — time scales
conceptual revolutions and societal shifts - 0

 

Week08 — bodies in motion
space is our medium, place is our destination - 0

 

Week09 — economy of means
just enough and nothing more - 0

 

Week10 — hybrid of extremes
complexity and coherence - 0

 

Week11 — networks
one thing leads to another - 0

 

Week12 — cooperation
rights and responsibilities - 0

 

Week13 — play
exploration and curiosity - 0

 

Week14 — mirror worlds
in between earth and sky - 0

 

Week15 — open dialogue
dialogue with our HANDS - 0

 

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Assignments
Overview-Context
week 2 - January 22
1. each week
Write a paragraph on Cosmology.
What real experience can it be connected to – the story can be real or a metaphor. story to idea to visualization

 

2. on going (to be handed in at midterm and final)
Creative Dialogue with me via the syllabus
Read the parts of the syllabus that refer to the word we talk about each week and Incorporate your thoughts into the syllabus. It will be a record of an imaginary discourse between you and me. 

Midterm – each of you should choose a piece of your written ‘dialogue’ to read in class.

3. (to be handed in at midterm and final)
Weekly Presentation
Start with the presentation entitled Overview + Context and add any images you fell will expand the thinking on the topic.

Cosmology
week 3 - January 29
Write a brief paragraph on Process-order

Process-Order
Assignment - write on next weeks theme, Order-Unity

Model 
- process – Spontaneous
- process – Ordered

Weekly Class Itinerary
1. warm up discussion — 10 mins
2. meditation — 05 mins
3. standing yoga — 10 mins
4. presentation of weekly theme — 90 mins
5. break — 10 mins
6. 5 minute model — 05 mins
7. 30 sec presentation — 45 mins
8. meditation — 07 mins

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